Faisal Khan Biography, Age, Height, Family, Girlfriend & More

Faisal Khan (born 30 January 1999) is an Indian actor and dancer best known for playing Chandragupta in Sony’s TV show “Chandragupta Maurya”. Faisal khan was born and brought up in Mumbai, India. 

He did his schooling from Mira Academy School, Ghatkopar, Mumbai. She started her career as a dancer, learned freestyle dance from dance teacher Shrikant Ahire. Faisal khan belongs to a Muslim family, his father Nazir Khan used to drive an autorickshaw and his mother is a homemaker.

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Faisal Khan Biography

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Faisal khan Dancing

Dance is a performing art. It is described in many ways. This is when people move to a musical beat. They may be alone, or may be in a group. Dance can be an informal sport, part of a ritual, or part of a professional performance. 

There are many types of dance, and each human society has its own dance. As with other performing arts, some people dance to express their feelings and emotions or to feel better. Dance can be used to tell a story. 

In some societies, dance is accompanied by song as well as music. Sometimes the dance is performed as a sport, and has similar athletic aspects. Those who want to learn dance can go to dance schools. 

It can take years of practice to become an experienced and capable dancer. The planning of a dance is called choreography. which is performed by the choreographer. Often it goes with the music, and fits into a certain genre. Dances can be planned in detail, or they can be what the dancers feel like. 

However, most dances follow some general style or pattern. One style is couple dance, where (usually) a man and a woman dance together. Other dances need an ensemble, a group of people to make it work. Theatrical dance, also called performance or concert dance, is mainly performed as a spectacle, usually by virtuoso dancers on a stage. 

It often tells a story, perhaps using mime, costume and visuals, or it may simply explain musical accompaniment, often specially composed. examples western ballet and modern dance, There are classical Indian dances and Chinese and Japanese song and dance dramas. 

Most classical forms focus on solo dance, but performance dance can also appear in opera and other forms of musical theatre. Participatory dance, on the other hand, be it folk dance, social dance, group dance such as line, circle, Chain or square dancing, or participatory dance such as is common in most Western ballroom dancing, is primarily for a common purpose, such as social interaction or exercise, for the audience rather than the participants. Such dances rarely have a narrative. 

A group dance and a corps de ballet, a social partner dance and a pas de deux, which are distinct. Even a solo dance can be performed only for the satisfaction of the dancer. Participant dancers often all employ the same movements and steps but, for example, in the babbling culture of electronic dance music, Huge crowds can engage in free dancing, which is non-cooperation with those around them. 

On the other hand, some cultures have strict rules in the form of special dances in which, for example, men, women and children must participate. The dance is generally, though not exclusively, performed with musical accompaniment and may or may not be performed in time to such music. 

Some dances (such as tap dance) may provide their own audible accompaniment in place of music. Many early forms of music and dance were created for each other and are often performed together. Notable examples of traditional dance/music couplings include the jig, waltz, tango, disco, and salsa. 

Some musical styles have a parallel dance form such as baroque music and baroque dance; Other varieties of dance and music may share the nomenclature, but may have developed separately, such as classical music and classical ballet. Concert dance, like opera, usually relies for its large-scale form on a narrative theatrical structure. 

The movements and gestures of the choreography are mainly to mime the personalities and motives of the characters and their part in the plot. Such dramatic requirements tend toward longer, freer movements than is typical in non-narrative dance styles. Ballet blanc, on the other hand, developed in the 19th century, allowing for rapid, rhythmic dance-steps such as petigue allegro, developing into a completely “platless” ballet in the 20th century. 

A famous example is The Signets Dance in act two of Swan Lake. Usually a narrative relies for its large-scale form on dramatic structure. The movements and gestures of the choreography are mainly to mime the personalities and motives of the characters and their part in the plot. Such dramatic requirements tend toward longer, freer movements than is typical in non-narrative dance styles. Ballet blanc, on the other hand, developed in the 19th century, allowing for rapid, rhythmic dance-steps such as petigue allegro, developing into a completely “platless” ballet in the 20th century. 

A famous example is The Signets Dance in act two of Swan Lake. Usually a narrative depends for its large-scale form on dramatic structure. The movements and gestures of the choreography are mainly to mime the personalities and motives of the characters and their part in the plot. 

Such dramatic requirements tend toward longer, freer movements than is typical in non-narrative dance styles. Ballet blanc, on the other hand, developed in the 19th century, allowing for rapid, rhythmic dance-steps such as petigue allegro, developing into a completely “platless” ballet in the 20th century. 

A famous example is The Signets Dance in act two of Swan Lake. The ballet blanc, developed in the 19th century, allows the interrelationships of rhythmic dance to develop into fully “platless” ballet in the 20th century, which allows for fast, rhythmic dance-steps such as petigue allegro. A famous example is The Signets Dance in act two of Swan Lake. 

The ballet blanc, developed in the 19th century, allowed the interrelationships of rhythmic dance to develop into fully “platless” ballet in the 20th century, which allowed for fast, rhythmic dance-steps such as petigue allegro. A famous example is The Signets Dance in act two of Swan Lake.

Those intended for participation rather than people may include various forms of mime and narrative, but generally have much more set of rhythmic patterns of music, so that words such as waltz and polka refer to pieces of music as dance. refer to. on one’s own. The rhythm of the dancer’s feet can also be an essential part of music, as in tap dance. 

African dance, for example, is rooted in definite basic steps, but may also allow higher rhythmic interpretation: the legs or trunk mark the basic pulse, while the cross-rhythm is raised by the shoulders, knees, or head. The best dancers are simultaneously giving a plastic expression to all the elements of the poly rhythmic pattern. 

The two styles of dance can be combined together. Fertility dances can include both ecstasy and chuna. The great dancer Nijinsky used some of these ideas in his choreography for the ballet Le Sacre du Printemps (The Rite of Spring), a ballet about a girl’s sacrifice during a primitive celebration of spring. 

In more recent times, the first dance school we know of was opened in Paris in 1661. Only men were accepted until 1681. After 1681, women have also been accepted. Ballroom dances such as the waltz are performed by couples. Until the 20th century, most ballroom dance sequences were dances. the way people were moved, He was employed in set formation. 

These formations were usually lines or squares. All gone at the same time, and finished at the same time. The music played for a set amount of time, and then stopped. Around 1800, after the invention of the waltz, another style of dance developed. In Waltz and later dance, people danced in pairs, but they did so separately. 

They did not dance in formation, but circled the room when they pleased (but anti-clockwise). Often, new dance styles arrive. Some people dance differently, as they please. Street dance is like that. All these types of dance have music. 

At the same time, There are many traditional dances around the world. Some of them have been going on for hundreds of years. We call them folk dances. The advent of popular music videos and DVDs led to a type of dancer previously seen in some stage shows. 

A backup dancer (or background dancer) is a performer who dances with the main cast in a live musical act or in a music video. Ballet developed from the theatrical productions of France and Italy of the 16th and 17th centuries, and for some time the dancers developed dances by people familiar with the musical suite, all of whom had definite identities with their dances. Rhythm was defined by. 

These appeared as character dances in the era of romantic nationalism. Ballet became widely practiced in the Romantic era, Together with a large orchestra and grammar, musical concepts that did not lend themselves easily to rhythmic clarity and dances that emphasized dramatic mime. 

A broader concept of rhythm was needed, which defined the “rhythm and shape” of the movement communicating Rudolf Laban character, emotion, and intent, while only required certain sequences of steps and music for other dance styles.

Precise synchronization is required, so that, for Laban, modern Europeans were completely unable to understand the meaning of “primitive rhythmic movements”, a situation that in the 20th century with Igor Stravinsky’s The Rite of Spring found its new rhythm. With language began to change to reveal the fundamental feelings of a primitive. 

Indian classical dance styles, like ballet, are often in dramatic form, So that there is an equal complement between narrative expression and “pure” dance. In this case, however, the two are defined separately, though not always performed separately. 

Rhythmic elements, which are abstract and technical, are called dance. Both this and the expressive dance (nritta), however, are closely related to the rhythmic system (taal). Teachers have adapted the spoken rhythmic mnemonic system called bolt to the needs of the dancers. 

Japanese classical dance-theatre styles such as kabuki and noh, like Indian dance-drama, distinguish between narrative and abstract dance performances. 

The three main categories of kabuki are jidimon seimono (domestic) and shsagoto (dance pieces). In a similar way, Noh distinguishes between gawky noh, based on plot advances and narrative of action, and furhi noh, dance dance acrobatics, stage qualities,

Some awards received by Faisal Khan

• Zee Rishtey Awards For Dance India Li’l Masters 2, in 2012.
• Indian Television Academy Award For Best Child Actor For Show BHARAT KA VEER PUTRA-MAHARANA PRATAP.
• Zee Gold Awards For Best Lead Actor For Show Bharat Ka Veer Putra-Maharana Pratap.

Faisal Khan Physical Stats

Role played by Faisal khan in some TV serials

Film:  Prem Kahani (Marathi Film) In 2016
TV Serial:  Bharat Ka Veer Putra-Maharana Pratap (2013)
TV Reality Show:  Dance India Dance Li’1 Masters 2 (2012).

Career of Faisal Khan

Faisal Khan started his career as a dancer at the age of 13. In 2012 he participated in the second season of the dance reality show “Dance India Dance L’il Masters 2”, where he emerged as the winner of the show and was awarded R.S. 10 lakh award. 

After that she participated in many dance reality shows like “Dance Ke Superkids”, “India’s Best Dramebaaz”, “DID Dance Ka Tashan” and “Dance Champions”. Faisal made his TV debut in 2013 with Sony TV’s Indian historical TV serial “Bharat Ke Veer Putra Maharana Pratap”, where he played the role of Maharana Pratap in the show. 

He was the CID of Sony TV. In 2019, Faisal Khan played the lead role of Chandragupta in Sony TV’s Indian historical TV show “Chandragupta Maurya”.

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